Jen Lee Koss is a Juilliard-trained cellist turned venture investor at Springbank Collective who founded and operated BRIKA, a retail agency that has worked with thousands of independent makers through pop-ups and partnerships with major brands like Madewell and Holt Renfrew. She focuses her investing on infrastructure that supports women and working families, drawing from her hands-on experience building platforms for mostly women-led small brands and her academic background spanning Harvard, Oxford, and Harvard Business School.

• Deep interest in the evolution of retail and the necessity of modernizing consumer experiences. She closely follows the decline of traditional department stores like Sears or vacant storefronts on Bleecker Street while championing the shift toward direct-to-consumer models. She aligns with the perspective that retail itself isn't dying but that mediocre shopping experiences are, often highlighting the transition from zombie malls to innovative brands like Bonobos.
• Champions female leadership and equity within the startup ecosystem. She frequently shines a light on the specific hurdles women face, sharing frustrating anecdotes about the bias founders like Jessica Alba faced when pitching male investors or the lack of diversity on major corporate boards like Urban Outfitters. Her commentary supports women claiming their space in business without feeling the need to conform to traditional male-dominated dynamics.
• Investment focus on the care economy and family-oriented solutions. She has explicitly identified the care sector as a massive, often underestimated market opportunity worth hundreds of billions annually. This professional thesis appears to overlap with her personal life as a parent, evidenced by her enthusiasm for educational platforms like Juni Learning that allow children to explore complex subjects like coding and investing.
• Passion for high culture and the arts, particularly classical music. Beyond business metrics, she engages with stories about major cultural institutions, celebrating milestones such as a new female leader at the New York Philharmonic or rooting for talented underdogs like a teen trumpet player crowdfunding his tuition for Juilliard.